Dexter Dolby had to confess. When he started writing the screenplay for Attack
of the 50-Foot Turkey he never thought he would end up here. How he got from
his own red carpet premiere at the Letongaloosa Fall Film Festival to being stuck
in bumper-to-bumper traffic along the Pacific Coast Highway was a blur. One
day he’s a writer and movie critic for the Letongaloosa Register-Journal-
Challenger-Sun Chronicle. The next, it seemed to him, he was here sitting behind
the wheel of his old blue Wrangler, a week before Thanksgiving, staring out at
the turquoise waters and waiting to begin life as a Hollywood screenwriter.
How a film gets made had always been incredibly important to Dexter. As a kid
he’d sit for hours absorbing every detail of every plot line, camera angle and
costume in movies like The Giant Claw, Dementia 13, and The Terror. He wanted
to be a film writer, and he knew if he was going to be taken seriously he had to
pay attention to every detail of the production.
It was that attention to detail that caught the eye of Paul Peterson, the CEO of
Talking Pictures Productions (TPP). The way the camera captured the detail and
movement of a giant 50-foot turkey as it toppled the tiny country town made
the hair stand up on the back of Paul Peterson’s neck. He prided himself in
being able to spot creativity and talent wherever he saw it—even in a
backwater town like Letongaloosa. Peterson wanted Dexter working for his
For Dexter, thinking back to the events of that fateful night after Halloween was
better than a prize-winning movie. Incredibly, Dexter had said goodbye to the
small circulation newspaper and to small-town life. The turkeys at the wildlife
conservatory had changed is life and provided him with the future he had
longed for. With a firm offer of a job, Dexter bid goodbye to friends and family,
packed up his Revere 8Mm, and headed for Hollywood.
The weeks following the movie premiere had passed like a whirlwind. After “Mr.
Hollywood,” Paul Peterson showed up that night outside of the Cineplex, the
people of Letongaloosa had treated Dexter like a celebrity. The managers of
the burger stand told him he’d never pay for a burger and fries and shakes
again. The manager of the movie theatre assured him he’d have free movie
tickets. The president of the Wild Life Sanctuary presented him a certificate that
made him a lifetime member. He could visit the turkeys that turned him into an
up-and-coming filmmaker any time he wanted.
All of the attention at first mystified, then , humbled Dexter. He was delighted
that people liked his work. He was ecstatic about the attention Paul Peterson
paid him in the following weeks. They became friends.
The two discussed everything from to do with the creation of films and
screenwriting, to the nitty gritty of post- production editing. One day Paul talked
to about turning Attack of the 50-Foot Turkey into a one-day classic for the big
screen. All of those conversations resulted in an offer for Dexter to go to
Hollywood and make movies for TPP Productions.
I was a dream come true! Dexter loved his job as writer and movie critic in
Letongaloosa, but he was thrilled with his new life, even when he had to sit in this
traffic jams on his way to write and make movies. Slowly, the sea of cars began
to inch forward. Dexter felt a warm breeze on his face. He was on his way to
HOLLYWOOD. He was going to make movies. The cars started to move and
Dexter felt the Wrangler roll. It moved closer and closer to his future as a
In front of the offices on the TPP Studio lot, noted the palm trees. He sat and
marveled for a moment at the studio’s white stucco façade. Then he stepped
out of his sturdy old vehicle, grabbed his Revere 8Mm, and walked confidently
toward the studio. He was no longer that kid from a small town in the Midwest.
He was Dexter Dolby, Hollywood screenwriter and filmmaker.
Dr. Larry Day is a retired foreign correspondent turned humor writer. His book, Day Dreaming: Tales From the Fourth Dementia is available for purchase on Amazon.