Attack of the 50-Foot Turkey

What Dexter Dolby saw before him that Friday night, was unlike any spectacle

he had ever seen. It was the night after Halloween. Police had blocked off the

streets in front of the La Mancha Cineplex where a crowd was starting to form.

Lights and camera bulbs were flashing.

Looking up at the marquee, Dexter, a writer and movie critic for the

Letongaloosa Register-Journal-Challenger-Sun Chronicle, couldn’t believe what

he saw. The marquee announced the premiere of his one-day, iconic film,

Attack of the 50-Foot Turkey.

Dexter couldn’t pinpoint the age that his obsession with cult classics, indie films

and campy “B” movies truly started. He always wanted to make them. Now he

was the winner of the La Mancha Fall Film Festival, and had received the

Trailblazer Award for Up-and Coming Filmmakers. And he was coming face-to face

with his creation.

As a kid, Dexter took the bus to La Mancha and got off in front of the old Odeon

Theatre. Every week, he bought a ticket for the afternoon matinee, headed to the

hamburger stand for a burger and a chocolate shake and then visited The La

Mancha Wildlife Conservatory. He loved to see the animals, particularly the

turkeys, before the movie started.

It was always a fun afternoon, but it was inside the theatre that Dexter felt really

alive. It always excited him to see the creatures come to life onscreen. With

popcorn and candy in hand he sat on the front row and watched the strange

plots evolve, and enjoyed the weird costumes and odd camera angles of

movies like Attack of the Puppet People, Attack of the Killer Tomatoes and It

Came from Outer Space.

As an adult, Dexter was a behind-the scenes kind of guy. He preferred observing

and capturing life’s quirky little oddities from behind the lens of an old Revere

8Mm movie camera, a present from his grandpa, George. Dexter filmed

whatever walked in front of his camera. Frequently what walked in front of his

camera were turkeys from the conservatory. The strutting birds often escaped

and paraded through the center of downtown. One Saturday, Dexter picked

up his camera and followed them.

Later, he learned everything he could about turkeys from the biology of their

beaks to the grandeur of their gobbles. He learned that turkeys are related to

dinosaurs. They have the same chest structure as the giant T-Rex.

Now, all these years later, Dexter stood on the red carpet, lights of the

photographer’s flashbulbs capturing his image. He wasn’t used to the frenzy

that came from being in front of the camera, But he was a filmmaker now and

he was loving every moment of it.

People had told him that Hollywood directors and producers were attending

the film festival. If that was true, he’d love to work in Hollywood. Regardless,

hoped they liked what they saw. He hoped everyone did.

The audience began to take their seats and as he took his usual position in the

front row, almost frozen with excitement.

People loved the movie. They complimented Dexter on the strange plot lines,

the weird costumes and the odd camera angles. And a Hollywood director did,

in fact, approach Dexter that night.

He was wearing a black tuxedo, a long white scarf around his neck. “That was

quite a film, Mr. Dolby,” he said. “I’m Paul Peterson. I own a production

company in California and I think you’d be a good fit for us. He handed Dexter

his card.

Dexter felt good as he walked away from the Cineplex that night. It had turned

out to be quite a night for this small-town movie critic.

The next day, Dexter did what he had done every Saturday since he was a kid.

He headed to the La Mancha Wildlife Conservatory to visit the turkeys that

helped him realize his dream of becoming a filmmaker. He ate his usual burger

and chocolate shake. But as he walked into the theatre to watch the campy

movies he loved so much, Dexter Dolby did a little dance in front of the box

office. He wasn’t just going to watch campy movies, he was on his way to

Hollywood to make them.

-30

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